
five years in and for most of us Reading has become more a national holiday than standalone event, it just happens nowadays. if there was any clarification required for that statement this year was a fine example, everything just falls in to place with minimal effort. we don't make half the mistakes we might have done in previous years, simply because we've been coming for so long. to put it simply, we've got this festival down to a fine art.
its safe to say that i don't get quite as excited about it as i might have done a few years back, showing up on the Tuesday night hoping to get in before anyone else (for the record, according to security we were the first people who tried) but despite that, i still love this festival. with the addition of some best friends and new faces joining us for the weekend for the first time it almost definitely topped last year for me, but possibly the best addition of all this year was Greg's genius scavenger hunt on the Thursday night that resulted in Ed getting the band initials CW branded on his body for life.
the bands. (rated in L's as suggested by Greg)
Friday.. Sonic Boom Six (LL) its undeniable that its good to see a band that has worked so hard in recent years finally make it to the main stage, they give it an enthusiastic attempt but its debatable whether they pull it off, the heavy downpour works against their favour also.. Manchester Orchestra (LLLL) the set is everything i hoped for in a live show on hearing the record, its perfectly executed despite some initial sound problems, thrashing through cuts from latest record 'Mean Everything To Nothing'.. New Found Glory (LLL) the band get off to a strong start opening with All Downhill From Here, unfortunately as the set goes they sound tired and the ever poor main stage sound volume bleeds any energy left from the set.. Jack's Mannequin (LLL) an incredible crowd response for the former Something Corporate frontman's second, equally successful band, the Festival Republic tent is rammed and the atmosphere makes for an enjoyable set even for those unfamiliar Andrew Macmahon's new material.. The Aggrolites (LLL) although i only caught a very little of the set, the band play unbelievably tight and i'd highly recommend the band to any old school ska or reggae fans.. Fall Out Boy (LL) the first big disappointment of the weekend, the band appear burnt out and it generates a lack of enthusiasm, a poor choice of set list also.. Bouncing Souls (LLL) another solid set from the 20 years young punk rock vets with a set list drawing from a good mix of their long spanning discography, surprisingly, the newer tracks shine brighter than any.. Kings Of Leon (LL) what appeared to be a fairly good headline performance was tarnished entirely with a cliche rock stair hissy fit towards the end of the set.. Billy Talent (LLL) an incredible live band, they do justice to their headline slot on the Lock Up stage, bashing out all the hits back to back, when they do break the inbetween song stage banter is drowned out by continuous crowd chants of 'Fuck The Kings Of Leon!!, Fuck The Kings Of Leon!!".
Saturday.. Polar Bear Club (LLLL) possibly one of the most underrated bands emerging from the states at the moment, they play both aggressive and tight, most stand further back appreciating a fine set, but the die hard fans are at the barrier lapping the whole thing up.. Chuck Ragan (LLLL) another great offering from the Lock Up stage, Chuck plays alt. country with a punk rock influence in a similar vein to Frank Turner with a live band consisting of some impressive players.. The Rakes (L) the 22 seconds i caught of them on the mainstage was alright (see what i did there?).. Metric (LLL) a beautiful and majestic sounding set of light electro, vocalist Emily Haines holds her own as frontwoman on the sizeable NME stage.. Set Your Goals (LLL) a triumphant performance with countless circle pits and sing a longs, unfortunately its the sing a longs that provide the only audible vocal parts in the tent, this makes for a somewhat difficult set to appreciate.. Them Crooked Vultures (LLL) who cares what the hel they played or how good it was, that's DAVE GROHL on drums!.. Rival Schools (LLLL) the Lock Up deliver once again with a reunion show from this previously disbanded act, if you like your Bleed American era JEW this is a band to get familiar with, the new material shows much potential.. Maximo Park (LLLLL) the only band of the weekend i saw on the main stage that truely appeared to make good use of it, Paul Smith is an entertainer through and through, the added feature of a brass section was charming, cuts from all three albums sound stunning.. The Bronx (LLL) a little bit fucking terrifying, but in a good way.. Glasvegas (LLLL) playing a similar set to that of their support slot to U2 at Wembley Stadium two weeks ago, it goes to show how much difference venue can make, at Wembley the set drowned under the enormity of it all, here on the NME stage it all works very well, perfect melodramatic shoegaze for a melancholy Saturday evening ahead of a night of drinking.
Sunday.. Kids in Glass Houses (LLL) coming bounding onto the stage from a slightly different angle, opening with a heavier track from debut album 'Smart Casual' and playing it with a more aggressive streak, its debatable whether they pulled it off but for the most part the set is an enjoyable one.. 30H!3 (L) a lot of people show up at the Dance stage to enquire as to what all the fuss is about, honestly there really isn't a lot to fuss about and most (including myself) move on.. Lethal Bizzle (LLL) always an entertaining set, Maxwell gives as good as you'd expect from any London grime star claiming his set to be "the best fucking set of the weekend" its welcomed as harmless and probably regarded as not far from the truth when comparing the set to many acts of a higher callibre who will inevitably fail to match the crowd response Mr B gets.. Frank Turner (LLLLL) it was dubious whether Frank, every man's best kept secret would be able to put on quite the same show to such a large audience, of course he pulls it off by quite some extent, its an utterly fantastic set, there aren't many that can play a set thats comprised almost entirely singles and still make it feel so so good.. Grammatics (LLLL) possibly a new best secret to keep, but then maybe hindered by personal preference, either way if you're into the bands sound there's a good chance, like me, you would have really enjoyed this set.. The Gaslight Anthem (LLLL) seemingly managing to shake the Bruce Springsteen associations they were met with upon first receiving coverage from mainstream radio, its apparent that people are into this band based on the strength of their material rather than just because "they sound like The Boss".. La Roux (L) in all my years i have never seen the Festival Republic stage so busy, the crowds stream out into the main field of the arena, i give up within the first minute of her taking to the stage.. Lostprophets (LLL) the sound falters somewhat with the absence of a second guitarist but their number of sing a long hits makes for a good festival closer.
since it went down so well last year i will be posting a video of festival highlights again sometime soon when you least expect it.
2010 tickets are booked, bring on Reading VI..